Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Umberto Boccioni
Modern Idol (mk19)

ID: 22374

Umberto Boccioni Modern Idol (mk19)
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Umberto Boccioni Modern Idol (mk19)


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Umberto Boccioni

1882-1916 Italian Umberto Boccioni Locations Italian sculptor, painter, printmaker and writer. As one of the principal figures of FUTURISM, he helped shape the movements revolutionary aesthetic as a theorist as well as through his art. In spite of the brevity of his life, his concern with dynamism of form and with the breakdown of solid mass in his sculpture continued to influence other artists long after his death.  Related Paintings of Umberto Boccioni :. | Unique Form of Continuity in Space (mk19) | Modern Idol (mk19) | The City Rises | THe Street Penetrates the House | Head Light Surroundings (nn03) |
Related Artists:
GILLIS, Nicolaes
Dutch painter (active 1610-1630 in Haarlem)
Andre Beauneveu
Netherlandish Gothic Era Painter and Sculptor, 1335-ca.1401 Andre Beauneveu was born in Valenciennes. Little is known about his early life and he is first documented in 1360. Four years later, he commissioned to create a collection of royal tombs in Paris for King Charles V. In 1366, Beauneveau left Paris and began working for the Count of Flanders in Courtrai beginning in 1374. Then in 1386, he began working for Jean, Duc de Berry and served him for the rest of his life. Beauneveau was primarily a sculptor, but also produced illuminated manuscripts and stained glass windows. His work was integral to the development of naturalism in the 15th century.
Jose Antolinez
Spanish Baroque Era Painter, 1635-1675 was a Spanish painter of the Baroque period. Antolinez's early training as a landscape artist may have been under Iriarte. Later, when he moved to the court in Madrid, he entered the studio of Francisco Rizi. His '"haughty character and sarcastic personality gained him many enemies among his contemporaries". Some note he played maddening jokes on his colleagues Claudio Coello and Cabezalero as well as Itizi, whom he called painter of wall ornaments, in allusion to the latter's decoration of the hall of comedies in the Palace of Buen Retiro






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